2017-When Powerful Predators Pay the Price

HBO’s “Last Week Tonight” opened its 2017 season on an interesting note. While the popular Emmy-winning news comedy show has never shied away from delivering scathing political commentary, its first main piece of the year was about how the newly-installed Commander-in-Chief, Donald J. Trump, is a dangerous machine of lies.  It’s a hefty and bold accusation for an entertainment show to make, even when you consider “Last Week Tonight” has affected some actual change (notably in net neutrality). Towards the end of the segment, Oliver pleaded with the media and the viewers to hold Trump and his team accountable for any misinformation they may spread and for the actions they commit. And if enough people push this position, real consequences might come.

Looking back, that segment almost feels like a foretelling of a theme of 2017: holding powerful men accountable for terrible deeds. Over the course of the past eleven months, we have seen many prominent and powerful men in many industries forced to face consequences for reportedly bad behavior — Travis Kalanick stepped down as UBER’s CEO, Harvey Weinstein was ousted from his film production company and the Academy of Motion Picture Arts and Sciences, Warner Brothers studio has severed ties with director Brett Ratner, Fox News fired Bill O’Reilly, and just recently NPR’s Vice President of news and editorial director Michael Oreskes was placed on indefinite leave. All of these cases stem from one commonality: all the men ousted had been accused of sexual harassment and/or assault.

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Taylor Swift tries to silence Popfront with cease and desist letter

A few weeks ago, PopFront published a piece about Taylor Swift and her alt-right, white supremacist fans. The piece dove into a history of white supremacy and eugenics and how those ideologies have played a role in the political discourse of this country. It compared the lyrics of Swift’s song “Look What You Made Me Do” and the chants at the white supremacist rally in Charlottesville Virginia.

The end of the piece offered the following call to action:

“And while pop musicians are not respected world leaders, they have a huge audience and their music often reflects their values. So, Taylor’s silence is not innocent, it is calculated. And if that is not true, she needs to state her beliefs out loud for the world- no matter what fan base she might lose because in America 2017 silence in the face of injustice means support for the oppressor.”

PopFront is far from the first outlet that has noticed the connection between Taylor Swift and the alt-right. Vice, Konbini, and Complex are just a few news outlets that have written about Swift and the alt-right. Swift has very vocal alt-right fans that make public statements about their fandom and assign their ideology to hers on social media. There have been many stories about this connection in the past 18 months and our piece was an attempt to continue the discussion, as well as call on Swift to denounce this hateful group. The rise of the alt-right must be examined critically. It is unsettling to see Americans openly expressing racism. Celebrities are not obligated to voice their political beliefs, but it is not a stretch to assume that Swift would want to issue a statement even if it could be controversial.

We could not have imagined this article would result in Swift’s lawyer sending us a cease and desist letter. Taylor Swift is no doubt loved around the world and has many millions of dollars to show for her success. She is in a position of privilege that most people will never experience. She is also probably aware of the different social movements and issues that rocked America in the past year. And while it is unnecessary to expect all celebrities to be political commentators, many of her peers with similar influence have lent their voices to these affairs. Swift’s silence on the alt-right is especially notable because her white supremacist fans have taken the time to politicize her image. Taylor has historically demonstrated a concerted interest in how she is perceived by the public, so it would be in her interest to make a statement denouncing these groups or at least against racism and bigotry in general.

But instead of publicly making such a statement or publicly addressing her critics for failing to do so, Swift chose to privately employ legal threats and demand PopFront’s criticism disappear.  In a threatening letter, Swift and her lawyer demanded the story be immediately removed. This tactic can set a dangerous precedent because it would mean any public figure could chill any criticism levied at them. At a time when the press is under constant attack from the highest branches of government, this cease and desist letter is far more insidious than Swift and her lawyer may understand. The press should not be bullied by legal action nor frightened into submission from covering any subject it chooses. Swift’s scare tactics may have worked in the past, but PopFront refuses to back down because we believe the First Amendment is more important than preserving a celebrity’s public image.

PopFront has sought the help of the ACLU to address the demands made by Swift and her lawyer. The cease and desist letter, the ACLU response, and the original article that sparked this action are here.

We will not be silenced.

PopFront is a small online publication created in 2013 to discuss critical social, cultural, and political issues. We regularly critique and analyze the media with opinion-based pieces. PopFront fundamentally cares about intellectual integrity, facts, and truth. And most importantly, every PopFront piece serves to elicit discussion and hopefully inspire action. We will continue to provide high-quality critical pieces touching on social and political issues and build a diverse platform for people of all races, sexualities, genders, or neuroclassifications.

In the Fields of the North-En los campos del Norte

Join Author and Photo-Journalist David Bacon on September 12th from 6-7 pm at 2521 Channing Way in Berkeley. He will be talking about his new book “In the fields of the North”. The book highlights the hardest-working and most disenfranchised laborers in America. This is the time to learn more and stand in solidarity with the Latino community. This event is free and open to the public.

Can’t make it on the 12th? Join David on Friday September 15th at 7pm at the Green Arcade in San Francisco (1680 Market Street 94102).

Swiftly to the alt-right: Taylor subtly gets the lower case kkk in formation

Swiftly to the alt-right: Taylor Swift subtly gets the lower case “kkk” in formation with “Look What You Made me Do”
An anti–Marxist Mixtape review.

A little over a decade after her musical debut, Taylor Swift has made a career out of being portrayed as a good girl unjustly wronged. Her song catalog is stocked with tunes about how innocent she is, and how men seem to wrong her. But the most notable moment of the Taylor-as-an-innocent-victim narrative may have come when Kanye West interrupted her Best Female Video acceptance speech at the 2009 Video Music Awards to drunkenly ramble about how Beyoncé should have won.

Kanye upstaging Taylor in that moment not only gave that narrative merit in a lot of people’s eyes, it also looked like the personification of many a long-standing white fear: a black man taking away a white woman’s power. And Taylor has been playing off that narrative ever since, while America has embraced the notion of white victimhood — despite the reality. Kanye West is still hated for that moment, and the media has documented further fights between Taylor Swift and other pop stars such as Katy Perry, Calvin Harris, and Kim Kardashian. There is no shortage of media details about these “feuds”, whatever their purpose may be.

On the other hand, the idea that Taylor Swift is an icon of white supremacist, nationalists, and other fringe groups, seems to finally be getting mainstream attention. But the dog whistles to white supremacy in the lyrics of her latest single are not the first time that some have connected the (subtle) dots. A white supremacist blogger from neo-Nazi site The Daily Stormer was quoted in a Broadly article in May 2016 as saying, “it is also an established fact that Taylor Swift is secretly a Nazi and is simply waiting for the time when Donald Trump makes it safe for her to come out and announce her Aryan agenda to the world.” What “facts” the blogger is pointing to are unclear (and likely invented); still, his statement exemplifies how neo-Nazis and white supremacists look to her as their pop icon.

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Entertainingly “Atypical”: The Current State of Autism in Media

 This piece is the first of the ongoing series “Neurowrites” – where disabled writers comment on politics, society, and media.

When I was young and was unaware of my autism diagnosis,I did not have a reference point for autistic people because there was no representation of Autism in the media. I only knew about autism through a Baby-sitters Club book. The book, entitled Kristy and the Secret of Susan, was about one of the titular “baby-sitters” taking on a non-verbal autistic charge and I honestly don’t remember much about it, except that the main character Kristy decides to leave her autistic charge Susan alone after unsuccessfully trying to force her to integrate with other kids. I didn’t much care much for the book at the time despite being a big Baby-sitters Club fan, and I’m sure if I read it now I’d be appalled at how the characters were written and treated. Either way, I didn’t have a reference point as to what autism was because I didn’t really have that much exposure to it in media. I had characters that I liked and related to, but none that felt especially representative of me as an autistic girl.

I think it’s safe to say that the days of autism being a non-entity in pop culture are coming to an end. Since diagnoses have risen in the last twenty years, movies and television have slowly come to recognize and insert autistic people as characters. Various television shows like Girl Meets World, Sesame Street, Parenthood, and Community have featured characters explicitly stated or implied to be on the autism spectrum. The 2016 crime thriller “The Accountant“, starring Ben Affleck as an autistic accountant was a unexpected box office hit and is green-lighted for a sequel. And this August, Netflix premiered a dramedy series about an autistic teenager looking for love called “Atypical”: Trailer: https://www.youtube.com/watch?v=ieHh4U-QYwU&feature=youtu.be

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Eleven Questions for Hillary Clinton, from Bernie Sanders Supporters

Hillary Clinton’s supporters’ argument that Bernie Sanders backers should throw their support to her in November relies on two main points: mainly, that the party must unite to defeat Donald Trump; but also, that Sanders has already pushed Hillary to the left, and hence 2016 Hillary is much more palatable to left-liberals than her earlier incarnations.

Photo courtesy Phil Roeder

On some issues, this might be true.  Hillary now claims to support raising the minimum wage to $12 an hour, expanding the Social Security Trust Fund, and inaugurating a work-study program to eliminate college debt.

Still, Hillary’s stances on several key issues remain unclear, and if she wishes to sway Bernie voters to her side, she should answer the following questions:

1) Is Hillary for or against “capital f” Free Trade?  

A cynic might claim that Hillary opposes Free Trade Agreements (FTAs) while running for office, but supports them while in office.  Or, perhaps she opposes them generally, but favors them in every specific case—since every new FTA, unlike the previous, includes provisions that will protect labor rights and the environment.

As a candidate in 2008, Hillary opposed the Panama, Colombia, and South Korea FTAs, and promised to renegotiate NAFTA.  As Obama’s Secretary of State, she vigorously supported all of these agreements and did nothing to alter NAFTA.  In so doing, she stood far to the right of House Democrats (84%, 67%, and 65% voted against the Colombia, Korea, and Panama deals, respectively).  She also heaped praise upon the TPP, calling it the “gold standard” of FTAs. She now opposes it, and would adduce this flip-flop and her only other opposition to an FTA (the Central American Free Trade Agreement, or CAFTA) as evidence that she has always staunchly opposed them.

Debating in Michigan, Hillary stated, “I voted against the only multinational trade agreement that came before me when I was in the Senate. It was called CAFTA.”  This is true only in the most gymnastically semantic sense. Yes, technically, the Central American Free Trade Agreement was the only “multinational” FTA that Clinton voted on as a senator (she joined 77% of Senate Democrats in opposing it) if “multi-national” is defined as involving three or more countries, rather than two.  But as senator, she supported “bi-national” FTAs with all of the following countries: Oman, Morocco, Australia, Singapore, and Chile.

Substance-minded Sanders voters have strong reasons for disliking, distrusting and opposing her, and since Bernie's campaign is based on ideas, not idolatry, a remark or two won't sway them.

Her world-class prevarications notwithstanding, Hillary must do two simple things to impress Bernie voters: 1) Defend or repudiate her record or overwhelming support for FTAs, and 2) “Set the record straight” that she will unconditionally oppose similar FTAs as president. Continue reading

The Gig Economy is Rigged: Struggles of Working Musicians in Seattle

Companies like Spotify have promised to “create real value for the music industry” and to support artists and creators, but if the path to cultural democracy is anything like their pay-per-stream rates, we’re only .0084% there.*

Gig Economy Image

In her book “The People’s Platform: Taking Back Power and Culture in the Digital Age”, Astra Taylor challenges cyber-utopian notions of the emancipatory power of the Internet to democratize culture, music, art, and film. Certainly, the openness of the Internet gives artists and creators the tools to produce and distribute their work in a DIY fashion. Yet the laissez-faire nature of the net can also magnify the persisting inegalitarian features of the creative economy.

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Hillary’s “Pragmatism” Would Make Norquist and Friedman Proud

The debates have exposed differences in Clinton and Sanders’ positions on key issues.  Sanders wants free pubic college, a new Glass–Steagall Act to regulate the banks, and single-payer healthcare, whereas Clinton wants a work-study program for debt-free college, and prefers strengthening Dodd-Frank’s financial regulations and the Affordable Care Act. By invoking her experience in “getting things done” versus Sanders’s “idealism,” Clinton conveys that pragmatism is inherent in her platform; that she stands to the right of Sanders because her positions have a better chance of being enacted. But in fact, Clinton disagrees with Sanders’s major positions on principle first, and thus stands to the right of most Americans. Worse, her principles are unsound, inane, or petty, and often taken straight from the far right.

Clinton has at least two reasons to oppose single-payer healthcare. One is that since she claims single-payer would constitute a slight tax increase on the middle class, she will not allow herself to consider it. Here, Clinton is the perfect anti-pragmatist, making up her own arbitrary rules to obstruct sensible policy, and retain the U.S.’s position as the most inefficient health care state in the world (How pleased is Grover Norquist!).  Never mind that the “tax increase” would be a semantic one for most Americans, since most will save thousands on health insurance and medical bills while paying a few hundred dollars more in taxes. Second, Clinton also opposes single-payer because of the fiction that it could not pass unless Obamacare were first unilaterally abolished. This notion is a demonstrable fabrication, contradicted by a basic understanding of legislative procedure. It is embarrassing that Chelsea Clinton first peddled it; shameful that Hillary would advance the lie.  Continue reading

Stand Your Ground Laws in a Galaxy Far, Far Away

warning: some mild Star Wars: The Force Awakens spoilers follow.

Even before its release, Star Wars: The Force Awakens was the subject of both critical praise (and racist hate) for its multicultural cast. But while the seventh chapter of Star Wars has been lauded for appearing more inclusive, the film ultimately suffers from some of the deeply conservative, even subtly racist tropes inherent to most big budget action movies—the same kinds of flimsy hero logic that provide the moral justification for racist “Stand your Ground” laws across many US states.

Stormtrooper image

Do stormtroopers have humanity behind the mask, or can they be murdered without mercy?

To understand this connection, let’s start with a recent article about Star Wars written by Aaron Bady in The New Inquiry. Bady writes:

[Finn the Stormtrooper’s] psychology makes no sense at all if you think even a little bit […] there’s something extremely unsettling about how easily he shrugs off a lifetime of indoctrination into a fascist death-cult, how quickly and painlessly he becomes one of the guys, just basically a good dude. […] Where is the ideological indoctrination (and psychological scar tissue) that would have accompanied being crassly made into biopower and canon-fodder?

Bady doesn’t quite go so far as to touch on the allegory of Finn-as-slave, though it seems like the filmmakers are rubbing it in our face. Finn (John Boyega) is a “rebel” stormtrooper who describes having been stolen from his family as a child to serve in the despotic First Order—a series of events that, in our own galaxy, we’d be apt to call “slavery.” The Star Wars movies have touched on slavery before—recall Darth Vader (formerly Anakin Skywalker) was a child slave, although as a white character serving an alien master, his character lacked the symbolic thrust held by a black character like Finn. (“Do race and racism exist in the Star Wars universe as they do in ours?” is a wholly different question, and one that is never really examined with any satisfaction). Continue reading

Does this study prove SFBARF’s mission is puke?

You’ve probably heard the urban planning acronym NIMBY, which stands for Not In My Backyard. Often used in a pejorative sense (as in nimbyism), the word recalls the political sentiments of neighborhood groups—nominally, wealthier ones with more clout—to cease any local development or change whatsoever, regardless of social benefit. The term could be applied, for instance, to Marin County’s perpetual efforts to stop BART from running through their county (much-needed 40 years ago when first proposed) —motivated by racist fears of diluting their lily-white demographic.

Then there’s SFBARF, a citizen activist group that promotes YIMBYism—the counterfactual to NIMBY, i.e. a philosophy of “Yes In My Backyard.” A punk-sounding acronym for “San Francisco Bay Area Renter’s Federation,” SFBARF advocates for building more luxury homes and condos as a way of reducing the housing crunch on middle- and lower-income households in the Bay Area. To that end, they travel around the Bay Area and attend city council meetings, lobbying on behalf of developers.

Condo illustration

Does that sound confusing? Here’s the economic logic: lots of rich people want to move to the Bay Area, and they don’t necessarily want to live in poorer neighborhoods—but, they will if that’s all they can find. Better to keep building condos and luxury high-rises in wealthy areas, so as to keep the poor and middle-income neighborhoods for those who need them most.

Yet many Bay Area activists have called for SFBARF’s head, claiming that they’re a “faux-grassroots” group that only encourages developers, and poses as progressive. Is there any basis to that claim? Continue reading