Swiftly to the alt-right: Taylor Swift subtly gets the lower case “kkk” in formation with “Look What You Made me Do” An anti–Marxist Mixtape review.
A little over a decade after her musical debut, Taylor Swift has made a career out of being portrayed as a good girl unjustly wronged. Her song catalog is stocked with tunes about how innocent she is, and how men seem to wrong her. But the most notable moment of the Taylor-as-an-innocent-victim narrative may have come when Kanye West interrupted her Best Female Video acceptance speech at the 2009 Video Music Awards to drunkenly ramble about how Beyoncé should have won.
Kanye upstaging Taylor in that moment not only gave that narrative merit in a lot of people’s eyes, it also looked like the personification of many a long-standing white fear: a black man taking away a white woman’s power. And Taylor has been playing off that narrative ever since, while America has embraced the notion of white victimhood — despite the reality. Kanye West is still hated for that moment, and the media has documented further fights between Taylor Swift and other pop stars such as Katy Perry, Calvin Harris, and Kim Kardashian. There is no shortage of media details about these “feuds”, whatever their purpose may be.
On the other hand, the idea that Taylor Swift is an icon of white supremacist, nationalists, and other fringe groups, seems to finally be getting mainstream attention. But the dog whistles to white supremacy in the lyrics of her latest single are not the first time that some have connected the (subtle) dots. A white supremacist blogger from neo-Nazi site The Daily Stormer was quoted in a Broadly article in May 2016 as saying, “it is also an established fact that Taylor Swift is secretly a Nazi and is simply waiting for the time when Donald Trump makes it safe for her to come out and announce her Aryan agenda to the world.” What “facts” the blogger is pointing to are unclear (and likely invented); still, his statement exemplifies how neo-Nazis and white supremacists look to her as their pop icon.
Eleven-year-old Kayleb Moon-Robinson was convicted in April of felony charges for kicking a trash bin and defending himself against an aggressive police officer in his Virginia school. PopFront covered Kayleb’s case as part of an investigation into a disturbing trend of police brutality towards disabled minorities (Kayleb is autistic and black). With his sentencing pending in June and an appeal currently in process to overturn his convictions, what is Kayleb’s case status?
Astonishingly, Kayleb’s former school district has made no attempt at transparency, nor apologized for the incidents leading up to Kayleb’s arrest. When contacted, the representative for Lynchburg City Schools released the following statement:
“We’re at a distinct disadvantage in responding. We cannot reply to all of the specific allegations that have been made because the law doesn’t allow us to discuss the specifics regarding the child or the court proceedings. The public is only hearing one side of the story, and based on our investigation of this matter, the incident did not take place in the manner in which it was portrayed. SROs [School Resource Officers] play an important role in the school division, and we have and will continue to work together on procedures for when SROs should become involved in incidents involving students. We feel they are being unfairly portrayed in this matter.”
Besides this statement, district officials have not responded to other allegations concerning the police officer’s misbehavior. The district is also currently under investigation for its high student-to-court referral rates. Kayleb has not returned his former middle school since his arrest—he is currently attending an alternative school awaiting sentencing. Continue reading →
Kayleb Moon-Robinson, after being assaulted by the police officer.
Eric Garner. Michael Brown. Walter Scott. We know all these names as victims of police brutality within the last calendar year. Their deaths have sparked nationwide protests and conversation about police brutality targeted at young black men and systemic judicial racism. These are important conversations America needs to have, but I’d like to talk about a recent case that hasn’t gotten as much nationwide attention. A case where a young boy was misunderstood and his innocent actions were seen as criminal. One that, like the aforementioned, pits a young black man against police with a special circumstance.
Meet Kayleb Moon-Robinson, an eleven year-old African American child from Lynchburg, VA. At the beginning of the school year, Kayleb was charged with disorderly conduct by a school resource officer after he kicked a classroom trash bin during a tantrum. Kayleb was acting out of stress of being overwhelmed on a bad day, but the officer overreacted to a bin-kicking near no one. Two weeks later, the same officer forcibly grabbed Kayleb to take him to the principal’s office for accidentally leaving class early. When Kayleb struggled to get the officer off him, the officer slammed the child down, handcuffed him, and charged him with felony assault. On April 13th, Kayleb was found guilty of both charges in juvenile court and is currently waiting his sentencing in June. And all because a school officer mistook Kayleb as a threat for his tantrum as opposed to a child who needed some extra help.
Two grand juries that failed to indict police officers for the murder of unarmed black men—Mike Brown of Ferguson and Eric Garner of New York—have spurred to action a burgeoning movement against systemic racism and police violence in the United States. (Solidarity protests have since spread worldwide.)
The number and breadth of protests in any region is difficult to coordinate and organize, but we’ve found a number of resources for finding local protests in the Bay Area. (Note: This post will continue to update as new information is available.)
(L to R) Ryan Nicole Peters as Ruth Younger, Zion Richardson as Travis Younger, Marcus Henderson as Walter Lee Younger, and Margo Hall as Lena (Mama) Younger in Cal Shakes’ A Raisin in the Sun by Lorraine Hansberry, directed by Patricia McGregor; photo by Kevin Berne.
My husband quickly tucked his blunt under his baseball hat to save for another time as we hiked up the hillside, towards the Cal Shakes theater, to see Lorraine Hansberry’s A Raisin in the Sun. We quickly realized we were the only young latinos among an aged sea of silver and white hair in Orinda, California. He had misread this outdoor venue by a mile; obviously this was not the place for him to blow a hazy low cloud from his swisher, which he had brought from our East Bay home in hopes to pacify him, while I dragged him out to see a play on a Friday night.