For many in Colombia, the election of Bogotá mayor Gustavo Petro represents a step forward for democracy and the fight against poverty. The former leader of the revolutionary-socialist guerrilla faction M-19, Petro’s policies in office have explicitly recognized class tensions in the city and work to transform them. For the city’s wealthy, however, the election of an extreme left-wing politician threatens Colombia’s newfound security—or at least that of its monied neighborhoods. A recent proposal to build affordable housing in a wealthy enclave, isolated in the north of Bogotá, reveals the class conflict that defines life in the city. Continue reading
Why do privileged liberals care more about property damage than black lives?
“Riots,” wrote Martin Luther King Jr., “are the language of the unheard.” King is one of many civil rights radicals whose politics have been rewritten, his memory whittled into a sanitized, non-threatening corporate version fit for a Google Doodle. Liberals remember that he had a dream, even if they forget his sermons on sanitation worker strikes.
Fall season of Skywatchers continues on Wednesday, November 12 with live music, dancing, and a photography exhibit at the Tenderloin National Forest.
Is interstellar space travel a Western, colonialist fantasy?
Directed by Christopher Nolan
Starring Matthew McConaughey, Anne Hathaway, Jessica Chastain, Michael Caine, Bill Irwin, and Ellen Burstyn
The collective consciousness of Wikipedia, in their plot summary of Interstellar, wrote1 that the film’s version of the USA depicts an “agrarian, stateless society.” In Nolan’s not-so-distant-future, America is ravaged by Dust Bowl-size superstorms, crop failures are abundant, and Big Government is a thing of the past—indeed, there’s hardly any government at all, save an allusion to a “federal” textbook. In this world, where the conspiratorial, anti-government pundits seem to have won, the moon landings are widely regarded to have been faked. (Professional conspiracy-mongerers like Alex Jones and Glenn Beck have reason to smile at this.) Continue reading
San Francisco is a city of murals: from the Progressive Era to the waves of Latin American immigrants in the 1970s and 1980s, the city’s radical history lends itself well to splashes of life and color. By the time the Mission Muralismo movement peaked in the 1980s and 1990s, San Francisco was post-industrial, grimy, and full of artists and punks: in a sense, the perfect locale for a burgeoning graffiti and mural scene. Continue reading
OR: HOW I LEARNED TO STOP WORRYING AND LOVE THE A’s
When it comes to sports, calling me a fair-weather fan would probably be… well, fair. At the last Super Bowl party I attended, I announced my intent to leave after the next inning, to the chagrin of everyone around me. I was swiftly corrected, my colleagues seemingly less concerned over my departure than my attempt to count the innings in football. I’d thought it was simple: there were four. Continue reading
Dan Siegel is running for mayor of Oakland on a progressive platform of a higher minimum wage, housing and tenant’s rights, public internet and police reform. Siegel, a civil rights attorney with a history of organizing and activism, was voted “Most Progressive Oakland Mayoral Candidate” in the East Bay Express.
Unusual for a politician, Siegel—who referenced the idea of “radical reformism” in discussing his political views—has nuanced views on crime, gentrification and civics that hint at a deeper understanding of society and economy. We sat down with him to talk about his politics, his background working with the left, and his vision of the future of Oakland.
Silicon Valley’s Great Be-In
In 1965, on the cusp of the counterculture movement, Students for a Democratic Society (SDS) organized the first “teach-in” at the University of Michigan at Ann Arbor. In contrast to a lecture or symposium, the teach-in was oriented towards action; indeed, SDS’s goal was to teach about Vietnam and organize students against the war. Remarkably, thousands attended the teach-in, yet this paled in comparison to the tens of thousands who turned up a few months later at Berkeley for an anti-war teach-in that included a range of intellectual luminaries, including Norman Mailer, I.F. Stone and Alan Watts.
By George Bernard Shaw
Directed by Jonathan Moscone
California Shakespeare Theater, Orinda
July 30–August 24
The word Pygmalion does not resonate with most young people, myself included, but about halfway through enjoying the show at Cal Shakes’ eucalyptus-nestled outdoor amphitheater, I realized I was no stranger to the story—indeed, I’d seen its spinoffs many times as a child: in My Fair Lady, Pretty Woman, and She’s All That. Little did I know that while I was starry-eyed for Freddy Prinze, Jr. and Paul Walker (R.I.P.), I was watching a watered-down version of a story rooted in class and feminist criticism. As a socialist, activist and playwright, Shaw was very concerned with class privilege and gender roles. And the show features a powerful female lead, uncommon for the Victorian era in which the play is set. Continue reading
What do superhero films tell us about American culture? How do the ideas in superhero movies inform our beliefs about society, individualism, gender and power?
Join PopFront’s resident critic in this video article about cultural politics and superhero blockbusters—the first of the occasional FilmFront series.