For many in Colombia, the election of Bogotá mayor Gustavo Petro represents a step forward for democracy and the fight against poverty. The former leader of the revolutionary-socialist guerrilla faction M-19, Petro’s policies in office have explicitly recognized class tensions in the city and work to transform them. For the city’s wealthy, however, the election of an extreme left-wing politician threatens Colombia’s newfound security—or at least that of its monied neighborhoods. A recent proposal to build affordable housing in a wealthy enclave, isolated in the north of Bogotá, reveals the class conflict that defines life in the city. Continue reading →
(L to R) Irene Lucio as Eliza Doolittle, L. Peter Callender as Col. Pickering, and Anthony Fusco as Henry Higgins in California Shakespeare Theater’s production of Pygmalion, directed by Jonathan Moscone; photo by Kevin Berne.
The word Pygmalion does not resonate with most young people, myself included, but about halfway through enjoying the show at Cal Shakes’ eucalyptus-nestled outdoor amphitheater, I realized I was no stranger to the story—indeed, I’d seen its spinoffs many times as a child: in My Fair Lady, Pretty Woman, and She’s All That. Little did I know that while I was starry-eyed for Freddy Prinze, Jr. and Paul Walker (R.I.P.), I was watching a watered-down version of a story rooted in class and feminist criticism. As a socialist, activist and playwright, Shaw was very concerned with class privilege and gender roles. And the show features a powerful female lead, uncommon for the Victorian era in which the play is set. Continue reading →