(L to R) Ryan Nicole Peters as Ruth Younger, Zion Richardson as Travis Younger, Marcus Henderson as Walter Lee Younger, and Margo Hall as Lena (Mama) Younger in Cal Shakes’ A Raisin in the Sun by Lorraine Hansberry, directed by Patricia McGregor; photo by Kevin Berne.
My husband quickly tucked his blunt under his baseball hat to save for another time as we hiked up the hillside, towards the Cal Shakes theater, to see Lorraine Hansberry’s A Raisin in the Sun. We quickly realized we were the only young latinos among an aged sea of silver and white hair in Orinda, California. He had misread this outdoor venue by a mile; obviously this was not the place for him to blow a hazy low cloud from his swisher, which he had brought from our East Bay home in hopes to pacify him, while I dragged him out to see a play on a Friday night.
A series of civic dialogues have been taking place in Oakland on the subject of development and gentrification.Oakland Reconstructed: The Birth of a District was one such event, billing itself as an attempt to “bring as many un-likeminded people as possible together to have as honest a discussion as participants were willing to engage [in].” PopFront will be covering this and future forums in Oakland as they progress.
As the tech boom creeps north and east, it seems inevitable that Oakland will face the same structural changes that remade San José, the Peninsula and now San Francisco. But is redevelopment inherently harmful? On April 2nd, a town-hall style forum was held in midtown Oakland to tackle this very topic. The group that hosted the event, Top Ten Social Club, titled the evening “Oakland Reconstructed.” The panel featured Jahmese Myres, a local Senior Research Associate at the East Bay Alliance for a Sustainable Economy (EBASE); Jeremy Liu, a Bay Area native and Co-Founder of Creative Development Partners (CDP); Orson Aguilar, Executive director at the local Greenling Institute; Alan Dones, an Oakland Native and principal of ADCo, LLC and managing partner and co-founder of SUDA, LLC; and Mike Ghielmetti, a local founder and president of Signature Development Group.
In April 1937, Mussolini and Hitler’s air forces, in compact with Franco’s nationalists, began a bombing campaign against the Basque city of Guernica. The city had no military defenses and few soldiers; hundreds of civilians were killed or maimed in the assault. While the Basque civilians were horrified at the senseless aggression of the fascists, the rest of the world barely noticed. Rather, it took a generation of artists to take to their typewriters and paintbrushes to communicate the fascists’ war crimes to a callous world.
One of these artist happened to be the Spaniard Pablo Picasso, who was living and painting five hundred miles northeast, in Paris. His response was to paint “Guernica,” perhaps his most famous canvas, an abstract depiction of the agonizing death of Guernican civilians under the wrath of the bombers. So powerful and illustrative was the painting that it is rumored to have prompted a Nazi officer to arrive at Picasso’s doorstep in Paris and ask, “Did you paint this?” To which he responded, “No. You did.”