Tag Archives: socialism

The Way Out is Through: Class Conflict in Bogota

 For many in Colombia, the election of Bogotá mayor Gustavo Petro represents a step forward for democracy and the fight against poverty. The former leader of the revolutionary-socialist guerrilla faction M-19, Petro’s policies in office have explicitly recognized class tensions in the city and work to transform them. For the city’s wealthy, however, the election of an extreme left-wing politician threatens Colombia’s newfound security—or at least that of its monied neighborhoods. A recent proposal to build affordable housing in a wealthy enclave, isolated in the north of Bogotá, reveals the class conflict that defines life in the city. Continue reading →

Love the Player, Hate the Game

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The Intelligent Homosexual’s Guide to Capitalism and Socialism with a Key to the Scriptures. 
By Tony Kushner
Directed by Tony Taccone
Berkeley Repertory Theatre, May 16–June 29

(l to r) At Berkeley Rep, Mark Margolis (Gus), Tina Chilip (Sooze), and Joseph J. Parks (Vito) in Tony Kushner’s “The Intelligent Homosexual’s Guide to Capitalism and Socialism with a Key to the Scriptures.” Photo courtesy kevinberne.com.

(l to r) At Berkeley Rep, Mark Margolis (Gus), Tina Chilip (Sooze), and Joseph J. Parks (Vito) in Tony Kushner’s “The Intelligent Homosexual’s Guide to Capitalism and Socialism with a Key to the Scriptures.” Photo courtesy kevinberne.com.

There is a phantom haunting the theater—the phantom of socialism. Look to the Bay Area theater scene, and you’ll notice an array of socialist playwrights and subject matters: Berkeley Rep just opened The Intelligent Homosexual’s Guide to Capitalism and Socialism with a Key to the Scriptures, its second definitively radical show, after Dario Fo’s Accidental Death of an Anarchist. All of California Shakespeare Theater’s non-Shakespeare shows this season were written by socialists (Lorraine Hansberry’s A Raisin in the Sun [read our review] and George Bernard Shaw’s Pygmalion). The (Tony-winning) San Francisco Mime Troupe is avowedly far-left, but then they’ve always been. Remarkably, Shotgun Players just wrapped up a trilogy of Tom Stoppard plays about obscure Russian radical Alexander Herzen, “the father of Russian socialism” (I am unsure which is more shocking—that they decided to put up the entire trilogy, or that Stoppard’s yawn-worthy dialogue resulted in the trilogy’s run being extended).

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