“Only hipsters like zombies,” my friend commented as she watched the zombies prance around in Watsky’s “Kill a Hipster” music video. The zombie-hipster metaphor is particularly apt given the racialized origins of both hipsters and zombies: Zombies originated in Afro-Caribbean Haitian folklore—corpses that could be reanimated through necromancy—yet in the past decade that history was mostly forgotten, as the zombie became a semi-humorous staple of Western youth culture (evinced by the popularity of media like the book Zombie Survival Guide  and films 28 Days Later and World War Z).
The hipster, too, has its origins in appropriation of both African American and other cultures—something Norman Mailer first noted, but which Watsky does an effective job of illustrating. “Hummus, hummus, I’m getting hummus, hummus,” he chimes at the zombified hipsters lounging in the park, practicing Spanglish at the taco truck. Watsky and the video hipsters’ adoption of keffiyehs—a symbol of Palestinian resistance that became completely stripped of meaning after its hipster appropriation, on ironic par with Che Guevara shirts—illustrates the same kind of cultural forgetting. Continue reading